Tuesday, June 28, 2016
Iowa museum offers a heavy dose of 'Duke'
A life-size figure of John Wayne stands in front of a mural of Monument Valley, where many of his movies were filmed, inside the John Wayne Birthplace & Museum in Winterset, Iowa.
Aissa Wayne, who was present when the John Wayne Birthplace & Museum opened in May 2015 in Winterset, Iowa, introduces a short film about her father to welcome museum visitors.
The legendary actor John Wayne was born May 26, 1907, as Marion Robert Morrison. Long after his death in 1979, Wayne remains atop numerous public surveys regarding favorite actors.
The first film excerpts focus on John Wayne as the tough hero, using his fists and guns to get results. He famously quipped, “Courage is being scared to death but saddling up anyway.” The latter half of his filmography shows him as a warm hero taking care of women and children.
John Wayne noted that his father, Clyde Morrison, a pharmacist, was “the kindest, most patient man I ever knew.” He described his mother, Mary Morrison, a telephone operator, as “a tiny, vivacious red-headed bundle of energy.” Marion Robert Morrison weighed 13 pounds at birth, and our tour guide pointed to a picture of the female physician who delivered young Marion and probably saved his mother’s life. The family moved to California when he was 7 years old.
It was not until Wayne became a film actor that he changed his name. His friends and many others continued to call him “Duke,” his childhood nickname. He had a dog named Duke as a boy, and the two constant companions were known as “Little Duke” and “Big Duke.” The museum includes his personal 1972 Pontiac station wagon with a special raised roof to allow his 6-foot-4 frame to drive in comfort.
The modern, 6,000-square-foot museum was built to give visitors access to the largest collection of Wayne artifacts and movie posters. The museum was necessary because the nearby four-room house where he had been born already had hosted more than a million visitors since it opened in 1982. The John Wayne Birthplace Society moved the items from the house and restored it as closely as possible to its appearance from 1907. The house had running water and a small hand pump in the kitchen sink.
Wayne, who loved reading, was an outstanding student and received a football scholarship to attend the University of Southern California. He suffered a surfing injury after about a year and lost his scholarship. As the Great Depression set in, he left college to explore working in the theater.
Between 1926 and 1976, Wayne appeared in more than 170 motion pictures, 78 of which were cowboy films. Despite his great box office draw, he was nominated for an Academy Award only three times before finally winning an Oscar in 1969 for his performance in “True Grit.”
One display showcases the costumes and weapons he used in that film along with a black eye patch that was made to be somewhat transparent so Wayne could see with both eyes. The clothes he wore, even in his early movies, were more realistic and rough in appearance compared with those worn by other stars of the 1930s, such as Gene Autry and Roy Rogers.
We were amused by a exhibit of a horse cart from “The Quiet Man” that had a large TV screen on the seat showing all the excerpts from the film in which the cart appeared. We were able to see images of his co-stars — Maureen O’Hara, Barry Fitzgerald and Ward Bond — who had appeared in several other films with him.
Inside the museum, a life-size model of John Wayne stands in front of a mural of Monument Valley, where many of his movies were filmed. A massive bronze statue of Wayne is outside the museum, and stone inlays around the edges of the museum entrance list the names of many of his more revered films.
Monday, June 20, 2016
Indiana park delivers an immersive take on a Civil War skirmish
A six-hour drive was all it took to travel back in time to experience a Civil War battle.The “1863 Civil War Journey: Raid on Indiana” offers an exciting and impressive re-enactment at Conner Prairie in the Indianapolis suburb of Fishers, Ind.
Need an account? Create one nowCreated with assistance from the Smithsonian, this media presentation is available at limited times. We have not seen anything quite like it.As we crossed the covered bridge into the “small town” of Dupont, we looked up to see a mannequin on a telephone pole informing us that the line soon would be repaired.
Smoke was billowing from a burned-out building to the side, evidence of a recently discharged explosive.
The first building we approached was the Mayfield and Nichols Dry Goods Store. An historical re-enactor playing the store manager invited us inside and said the shelves were bare because a Confederate army led by Gen. John Hunt Morgan raided the store the day before.
Thousands of troops had taken all the food and supplies they could find, burning a number of buildings along the way.
As we talked with her, about 18 other visitors had entered. A young man suddenly appeared outside the store’s windows and shouted the rebels were coming and we were in danger. Almost immediately, some of the store’s windows became 3-D video screens and gave us a view of troops marching across a nearby bridge and toward the building. Rebels troops quickly surrounded the store.
Then the impossible happened. The windows and walls turned into screens, and the troops appeared to be in the room with us, tearing food, clothing and shoes from the store shelves. It was a shocking experience, but we remembered a warning as we entered the exhibit about loud noise and images of war that might not be appropriate for young children. We seemed more startled than the kids in the room.
We had a few minutes to recover from the shock before we moved to a large room in the Porter family home.
We either could sit or stand, facing a hastily erected defense barrier of logs and assorted junk. This was to be our defense when the rebels attacked. About 30 watched a multimedia presentation of the battle interspersed with comments from the people who had been involved.
On one side of the room, 3-D holographs of people brought us messages about the status of the attack and what was about to happen.
On the large screen in front, we could see the attackers and various aspects of the battle.
The screen occasionally would disappear, and we would see a mannequin of Gen. Morgan urging his men toward battle and later telling us about the retreat.
The seamless combination of presentation techniques made our visit a unique experience. Given the Smithsonian’s involvement, we suspect these dramatic ways of delivering a presentation might be used in other museums connected to them.
The day we visited, several other events took place as part of the Civil War Journey. Visitors could help the camp laundress deal with the soldiers’ dirty clothes. A large kettle of water was heating up nearby as the laundress gave lessons about the process.
In another area, guests older than 14 could learn to load and fire either a Springfield or Enfield rifle.
In the end, the exhibit offered a carefully planned immersion into an adventurous piece of history.
Thursday, June 16, 2016
Guests at 1836 Prairietown play a game of hoop and stick.
LIVING HISTORY: Conner Prairie offers visitors a look at life in the 1800s
The Conner Prairie Interactive History Park is tucked away in the northeast Indianapolis suburb of Fishers, Ind. The park is affiliated with the Smithsonian Institution and has been rated one of the top five living-history museums in the United States.
We are fans of re-enactors and situations where we can experience these actors reliving historical events. The re-enactors staffing the park were among the most realistic groups we have ever seen.
A lathe sits in the background while a woodworker makes table legs at the 1836 Prairietown of the Conner Prairie Interactive History Park.
A blacksmith works to make various items needed for the park in his shop at the 1836 Prairietown of the Conner Prairie Interactive History Park.
Courtesy of Conner Prairie Interactive History Park
Guests at 1836 Prairietown play various games and activities, including hoop and stick, walking on stilts and jump-rope.
They provide visitors a combination of experiences much like Disney World, except everything is based on the reality of life in an American country village in the 1800s.
In the largest section of the park, the 1836 Prairietown, the re-enactors performed in 12 buildings from the time period. They were surrounded by original objects or those made in the traditional manner at the local blacksmith shop. What made the experience so enchanting was the degree to which the re-enactors are able to temporarily become people from that time.
We explored the Lenape Indian Camp, the smallest area of the park, which includes a cabin trading post, pioneer cabin and a wigwam. One of many treats during our visit was interacting with an authentic member of the Delaware tribe who spoke the original Delaware language.
He recounted the many moves his tribe made as settlers kept encroaching on their territory; they mostly ended up in Oklahoma.
We enjoyed watching another re-enactor, who was surrounded by a variety of furs, make moccasins. As we admired the size and quality of a beaver skin he was working with, he explained the process the Native Americans used to prepare it. After we attended a tomahawk throwing contest, we spent some time at a wigwam where a young woman coached children who were making bracelets using beads.
The William Conner House was next. At the entrance was a candle-making shelter where children could learn how to dip candles made of beeswax like those used in the 19th century. Each candle requires about 40 dips in the wax, and the children were able to mix in some lard if there was a shortage of beeswax.
In one room, two re-enactors gathered around a loom to make strings that later would be used to create clothing or bedding. They explained how cloth was made from products on the farm.
A four-room brick house was authentic aside from a modern display. We could pick an object — a bottle of corn or a piece of cloth, for example — and on a small screen get the history of how the product was grown, made or shot. The screen also showed how the various items contributed to the welfare of the Conner family.
The actors all had roles that included knowing their background with family members and friends of the period, whom they would refer to and who sometimes would walk into the scene. They knew the details of their work, and we enjoyed watching them perform it.
A great example of this detailed knowledge came when we attempted to test the limits of how much they knew about their roles.
At Whitaker’s Store we met Whitaker, who had a nephew working with him. We admired Whitaker’s clothes that were made of linen and an undershirt crafted from the more expensive cotton. As we talked about the objects in the store, we asked for more information on the china.
He explained that the most expensive pieces were from England, while the less expensive ones were from China. He showed us some from China that was relatively cheap because it was put in barrels of rice and used as ballast for the ships that carried it. He took pride in showing us a new variety of china from Britain with multiple colors as a result of some new techniques.
Whitaker and his brother, who jointly owned the store, had a disagreement about the expensive china because the brother said it took longer to sell because of the higher markup. The brother said he hoped one of the more affluent ladies in town would buy some so the other residents would want to get their own to maintain their social status.
At the schoolhouse, an older male teacher was in charge with three visiting children who volunteered to become students. He gave examples of what was covered in the three months that schools were open and how 5 cents a day was the going rate for an education. As far as economics, we learned the average laborer earned 35 cents a day — certainly a time when every penny was useful.
At McClure’s Home & Carpenter Shop, McClure was busy making legs for a table that was on order, but he took time to show us the progress he was making. He gave us a brief demonstration of his woodworking technique and equipment, but McClure noted that he was not able to pump the lathe as long as he could when he was younger. When asked how he was going to stain the wood, he quickly replied, “With walnut stain.” He provided us with a formula that consisted of rotten black walnuts and a special way of cooking them.
Dr. Campbell was not in when we visited his office, but five women were sewing a special dress for his wife, who was watching the process. They gave us a description of how the pattern had been designed and more details of how the dress was being constructed to ensure it was of the very best quality.
We saw pottery being made and a kiln large enough to hold 350 pieces. The pottery maker showed us a special blend of materials that gave some of his mugs a red glasslike interior.
In six homes where food was being prepared, the fireplace was burning and appropriate cooking pans and kettles of the period were being used.
We met a woman who said she was living with her sister, brother-in-law and their three children. She said she paid her way by sharing the tasks. She was making a recipe that called for potatoes, eggs, cornmeal and flour.
The animals common in the 1800s were difficult for the staff to find and preserve because of the amount of breeding for certain qualities that happened through the years. The cows had strange horns, the pigs were smaller and the sheep looked quite different than we are used to seeing.
The children visiting seemed especially drawn to the animals that were in fields and in barns. Kids were able to touch the various animals, and the only modern item in view at the park was hand sanitizer for use after petting the animals.
The man who welcomed us at the entrance said visitors often try to get the re-enactors to break character; he said the roles were so well-rehearsed that it was practically impossible. We must admit that all of our questions were handled deftly.
Prominent from a distance was a huge balloon that is a reproduction of one that was launched in 1859 from Lafayette, Ind. The balloon is tethered, allowing visitors to ascend 350 feet in the air but no farther. Storms were threatening the day we visited, so the balloon was grounded.
We spent relatively little time browsing a large visitors center that was packed with children involved in creative activities and interactive learning.
Another section for visitors to explore is the 1863 Civil War Journey, which we write about in a later column.