Frank Lloyd Wright’s design for Phoenix’s First Christian Church was called one of the 10 best church buildings in the United States. A 120-foot bell tower stands beside it.
With Carla Anderson
Thursday, September 24, 2015
Frank Lloyd Wright First Christian Church, Phoenix
PHOENIX, Ariz. - Ever since our visit to the Guggenheim Museum in New York City many years ago, we have been "looking in the Wright places" to view more of the buildings by America’s foremost architectural genius. When we discovered an Elderhostel in Phoenix that had a program on Frank Lloyd Wright, we signed up. Twelve of his buildings were constructed in this area, which includes Scottsdale and Tempe.
When Wright died, he left designs for structures that had not been built. One was his plan for Southwest Christian Seminary in Phoenix. His blueprints included administrative buildings, a library, a theater and faculty homes. As the seminary ceased operating, the plans were set aside. In 1971, the administrators of First Christian Church in Phoenix, aware that the plans included a chapel, requested and got permission from Wright’s widow to use those plans for their church.
If he had lived, Wright would have enjoyed hearing that Harold Wagoner, the former dean of the Church Architects Guild of America, called the building, completed in 1973, one of the 10 best church buildings in the United States.
Wright used a triangular roofline that gives the appearance of praying hands. The walls of the church are made of large, reddish, native stones set in rough concrete. The building is supported by 23 triangular pillars of concrete and steel that he envisioned as desert trees.
As we finished walking through the narrow entrance with its low ceiling, we could feel the impact of entering the open, glass-walled, 800-seat worship center. An unusual feature is the light-blue carpet that covers the floors and pews.
Another creative feature is the 120-foot, free-standing bell tower placed near the 77-foot triangle-shaped spire rising from the roof. As we passed churches in the area, some of them with triangular roofs, we had the impression that Wright had been an inspiration to other local builders.
Next we toured the Biltmore Resort in Scottsdale, a 1924 project Wright was involved with. It is still debated how much input he had on its design. According to his biography, it was not enough to suit him, as he said, "I was powerless to prevent this tragic waste."
Still, it is an attraction to visitors because it reflects some of his ideas. The lobby, the bar and the cottages probably are his designs. His son, Lloyd, developed the textile block system widely used in the main building.
As we toured the Biltmore Resort, we were aware that we were in the presence of money. Partly it was the $350-a-night rates, but in addition the guests looked like people who took having unlimited funds for granted. U.S. presidents typically stay here when they are in the area; one hallway has pictures of the presidents who checked in.
The Grady Gammage Memorial Auditorium at Arizona State University in Tempe is the largest Wright building in the area. The plans started out as an opera house in Baghdad for the king of Iraq. The king was assassinated, but Arizona State University was looking for a big auditorium. Its gaudiness is unusual for a Wright production - it has been compared to a giant pink wedding cake. It seats 3,000, and the acoustics are said to be excellent.
As part of an Elderhostel, we were taken on a bus tour of the communities of Phoenix, Tempe and Scottsdale. We’re afraid other Wright houses got lost in the commentary: "This is Glenn Campbell’s house," "Kitty from ‘Gunsmoke’ lives here," "That home is 30,000 square feet," and "That home on the hill cost $14 million."
Not built and highly controversial was the state Capitol building designed by Wright when he was 88. He said, "I present a true 20th-century economical building of a character suited to grace the Arizona landscape." Critics found it "full of glittering spires and geometric filigree." It probably would have gone way over budget and had a leaky roof, common characteristics of Wright buildings. On the other hand, it might have been the most beautiful and unique Capitol in the world.
Our lecturer one evening was Frank Henry, an architect who knew Wright and who works in the archives of the Wright foundation. After hearing Henry’s talk, one certainly would have been led to conclude that Wright was America’s greatest architect of the 20th century and, if not by his own definition, the greatest of all time.
Interior of Frank Lloyd Wright's First Christian Church
Frank Lloyd Wright’s First Home
Frank Lloyd Wright used his home in
as a laboratory for exploring innovations that caused a revolution in
architecture. Oak Park, Ill.
with Carla Anderson
What a special treat it was for us to visit the Frank Lloyd Wright House and Studio in
The town has a historic district with a major collection of buildings designed
by Oak Park, Ill. ’s
most-famous architect. America
Wright lived in
almost 20 years between 1889, when at the age of 23 he first built the home,
and 1909. It was the birthplace of his architectural philosophy and of many of
his design concepts. He lived here with his first wife and their six children
and worked constantly on modifying the house and studio, both now restored as
they appeared in 1909. Throughout his life, his homes evolved as he used them
as laboratories for exploring innovations that caused a revolution in architecture. Oak Park
Our volunteer guide was knowledgeable and enthusiastic about Wright’s work, but we found it interesting he talked only about Wright’s life during the time he lived here and mentioned nothing about his flamboyant attitude, affairs, other marriages or later work. The guide ended his spiel with no explanation of why Wright left his wife in 1909. Because we give talks on Wright, we were aware of the scandal caused when Wright left his debts behind and fled to
with Mama Borthwick Cheney, who was said to be the love of his life. Later,
another source suggested that guides were encouraged to keep the focus on
Wright’s life at . Oak Park
When Wright began his work, wealthy people had a mindset that a house should look like a typical Victorian mansion. Wright had different ideas, and slowly others began to see his work had advantages over the old style. Our guide was very knowledgeable about the different innovations in the house. Victorian mansions were typically placed in front of the yard, and Wright’s house and studio are placed some distance back. They have a whole different use of windows for lighting, and the interior has much open space flowing easily from room to room. In a Wright home, there is never a parlor, a room in the past only opened for visitors, but instead there’s a game room for the kids and parties. He also designed the furniture, some of which looked uncomfortable. One innovation was a bench that doubled as storage for kids’ toys.
Some innovations were strange. For example, a piano was built under the staircase so the steps had to be lifted to allow the music to be heard. Some rooms are small, keeping with Wright’s philosophy that buildings are for people and should be intimate. Our tour group of 16 pretty well filled the rooms.
His ideas appealed to some of his neighbors, who began to use him as their architect, and this got him into trouble with his boss in
. Wright was fired for moonlighting. Chicago
His studio is a wonder with its beautiful rooms and use of wood and light. It was hard to imagine something this modern was designed in 1889. He had a private entrance from the house. Originally, his studio was open to the street, but so many people wandered by and tried to enter that he put up a wall.
The streets in this area of
are filled with old Victorian houses with Wright-designed houses liberally
distributed among them. We will tell you about them in our next column. Oak Park